Iaido Training Session 39

Well, the final session for 2010.

I started the session with Harry taking some photographs for the illustrations for Chris Sensei's Shoden Manual.

I gave some thought to the session afterwards concerning the first 4 kata, Shohatto, Sato, Uto and Atarito. These are considered to be the basic kata for Muso Shinden Ryu and teach one to respond to an attack from any direction while still being able to react to various distances as per the requirement of Shohatto. I really like these forms as they all require a slightly different approach and becoming proficient in them is extremely useful to the performance of other iai forms. If one is able to draw almost directly from taito in any direction then this very conducive to being able to draw quickly and smoothly elsewhere.

When I have taught Shoden before I have asked the students to try drawing to various angles by shouting out a clock-time reference after learning this method from Ishido Sensei some time ago. Being able to do these forms well shows through when one can easily turn to any angle almost automatically and move the body into a strong cutting position.

The basic kihon for learners is to come up on the knees while only breaking the koiguchi before turning and moving the front foot into its objective position. As one improves one should avoid coming up on the knees first and try to turn raise and move the body in one smooth action. This action is now recommended for mid to high grades performing Seitei Ushiro.

Anyway, getting back to the session, after the shoot I returned to using the bokuto. I decided to do some work on cutting balance and practiced cutting from a feet together position with my eyes closed and alternated moving the left and right foot forwards and making a cut. At the end of each cut, with my eyes closed it was easier to determine where my centre of gravity was based and where any lacks of balance existed. This exercise tended to make me step my foot out to the side slightly but when I visually checked, my feet were exactly the right lateral distance apart.

I then worked through seitei. Sensei gave me some points about making better use of the body when preparing for thrusts as well as making other elementary movements smoother. I think that working naturally slower as I do with the bokuto is very good at moderating my overall speed of iaido. Hopefully this is one of the facets required for 6th dan.

So, I suppose for this final entry into the blog I ought to set out some short term objectives for 2011 (especially in case I fall off the roof tonight at the party):

1. Firstly start doing some muscle development training to get some symmetry in my arm strength and thereby hopefully getting my injury sorted out.
2. Do another Seitei video review and include my chosen koryu.
3. Carry on working on my balance exercises.
4. Continue with "Project Delta".
5. Do a lot of work on Tozume, Ukenagashi and Oroshi.

Anyway, that's it for 2010. Happy New Year to all you have taken the time to read this blog and thanks again to those who have commented or provided other feedback.

Akemashite Omedeto Gozaimasu!

Iaido Training Session 38 and some thoughts from 2010

Ah, some peace and quiet at last on Christmas Eve for me to catch up with some budo stuff. Last Wednesday was the last training session before the non-existant dojo break for Xmas and there was only a few of us down so it was a pleasant session.

I am working with Cezary to help develop his Okuden Tachiwaza which is going slowly and steadily. I started off using just the bokuto to continue to give my arm a rest but then felt a bit compelled to use my shinken again. I found that I had got used to the bokuto's length and had to have a few double takes at doing noto. Doing Okuden Tachiwaza doesn't have much in the way of horizontal nukitsuke or ochiburi so it wasn't too hard on my arm but I have decided to give in to just using the bokuto for the next few weeks. I will see how I feel at the Kangeiko on the 8th Jan...



I wanted to add something here, to say something to all the people who have given me feedback and advice from this blog since it's beginning. I have read everything you have written or said very carefully and while I sometimes cannot completely incorporate the feedback you have kindly provided, it has in some way influenced what I am doing and how I train in the future.

One of the quite common bits of feedback I have received (and this has been from about 3 people) is the surprise that I have put so much emphasis on physical technical correctness. I have written very little about feeling, mental state or emotional content and to this I should respond honestly. The extremely pendantic level of detail I am applying to my training is only part of the training itself that I am undergoing. Let me explain point by point:

1. Firstly, no matter how I or anyone else justifies doing a more mental or "spiritual" approach to their training, it is the raw and visible technical correctness which will gain most attention on the day of the grading. No matter how alert, aware or intense ones' approach on the day, if they muck up technically, I strongly and assertively believe that they will fail their grading. I don't want to fail and so I am spending a lot of time and concentration on "perfecting" the physical side of the art given the time that I have allocated to training since 5th dan.
2. One of my own personal objectives for my 6th dan is to drastically reduce and eradicate technical incorrectness. While I realise that technical development continues until death, I want the achievement of my 6th dan to put me in a place where I can work on other stuff rather than sheer technical correctness. Whatever one thinks, there is another side to physical training other than just getting it right (e.g. depth and fluidity of performance) and I want to use this training objective to get to that place.
3. I do focus on other parts of the martial arts training however these are incredibly difficult to regurgitate into speech or type. The feeling I get when I do a taikai or an embu, the rush of excitement that I feel when I accelerate into Koranto, the natural pauses that occur in a form which seem to be dictated by something outside of oneself - these are all things which are very personal and though primarily this blog is for my own benefit, I am not yet ready to record these things. By analysing them and describing them I am probably misinterpreting them and would be doing them no justice by writing about them at the moment. I find it easier to talk about feeling and the training behind this when doing Jodo, for me Iaido is just a bit too personal to reveal at the moment.
4. Spreadsheets and Iaido - WTF?!? Well, one uses the resources that are available to them at the time. Perhaps warriors of old took themselves into the mountains and trained for a year living on berries and nuts. I am not likely to be doing this anytime soon. What I do have at my disposal is a professional experience in statistical analysis and some knowledge and experience in coaching and learning styles. By doing this kind of analysis, provided the input data is accurate enough, I can focus my training on those things that really need it rather than "throcking" or focussing on something which actually is adequate for my level.

I will finish this section by quoting something which I will talk about again in the future. This relates to the broader areas of my training including those which will develop my character and my emotional bearing. I will not reveal them in any detail now but all the training that I am writing about is only one of three arms to my 6th dan preparation. Let's call this Project Delta (as it is a kind of triangle of development) for a laff and I can then refer to it again later. Certain things must take place though before I talk about them so there's no point prompting me on them, suffice to say, personally training myself is only one of the three bits of development.

Anyway, the main point of this emotional review is to say thank you to everyone who has given me any feedback on this blog, whether it's some advice or just a point of praise - every single bit of this feedback prompts me to carry on doing this.

30mins to Xmas day, I'm off. Have a good Xmas and I look forward to training with you in 2011.

24th November 2010 Part 4

OK, final section...



Concerning the evaluation, I have scored everything according to the database I set up and posted at one of the earlier blogs. Some people fedback to say that it was too detailed and I considered this and set out to see what useful information I could get back by going to this level of detail.

Statistics, being a large part of my work, showed where areas of relative competence were in comparison to areas of needed concentration in practice. I averaged the overall kata scores and median'd the technical scores. Each was then given a red/amber/green status depending on whether it was the worst, below average/median or above average/median.




















From the graphs of these scores it is easy to see how the RAG status applies:























Obviously from this one session it appears that Mae and Sanpogiri need a lot more general work.
Noto can clearly be seen to be a problem from the tech scores. Of course as more data are added then some anomolies will disappear (Mae being the first form would have been the most "cold").

So, yes it does take a bit of time to review the videos, score the performance and then analyse the data. I think though the last time I did this it became easier and easier to do as well as quicker.

What other news? Oh yes, I was advised by one of the readers (Mark) of this blog that a rest would be of much use especially if I was suffering an injury. The good news is that that is exactly what I have done and my arm is slowly recovering. I actually missed last Wednesday's practice as I was a bit knackered after Poland and work that day and I think that this is all helping, as well as Xmas, to recover. I must ensure that I start to build up strength in it again though with some gently weight training over the holiday (maybe lifting beers).

I was in Poland the weekend before last and ended up having to deliver an iaido seminar singlehanded (although with the higher grades help) which had simultaneously Shinden, Jikiden, Seitei and Suioryu going on. It was a very enjoyable event (for me anyway) and good to see everyone working so hard. It is easy to spot people improving in the durations that I don't get to see them train. For me it was also an opportunity to work on stuff while I was demonstrating and teaching. The thing that came through the most was using the left hand even more during nukitsuke to get an effect on the sword. This seemed to work very well with the kissaki moving out with what felt like natural ease. I also worked a bit on Ryuto in trying to get the thing to fit a larger body.

So to conclude this entry my to-do list includes:

1. To reconstruct my noto so that my right hand doesn't fly up to shoulder height. I think this will be done through the obvious effort of keeping my right hand down, allowing the sword to go more to 45 degrees rather than forwards and of course to use a bit more left hand.
2. To watch my shoulder on nukitsuke.
3. To monitor my furikaburi in Mae and Ushiro and make sure I'm not breaking the "law".
4. To get Sanpogiri sharpened up in term of timing and stability.

There! Four things to work on at the next few training sessions instead of a billion! It was worth doing the spreadsheet afterall....