Owning up

Last night I had dinner with the ex-Chaiman of the BKA, an extremely pleasant and balanced gentleman by the name of Errol Baboolal Blake. We have known each other for a number of years and Errol was largely responsible for the complete restructuring of the BKA resulting in the highly democratized and process-driven association we have today. Errol noted during the evening that to many, the appearance of my character was "pointed" or "sharp" and he thought it was important that people also showed their "blunt" side in order to be well rounded as martial artists. Quite a full debate ensued but one key part of it was me sharing what I had written for my Iaido Renshi examination which in my honest opinion is how I feel about budo and ones interaction with it.

So, I thought now would be a good time to share these thoughts with the community of faithful followers of this blog. Here is the initial English draft which was translated into Japanese with a few small bits cut out.

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The Significance of the Sword

In my Iaido training in more recent years I have tried my best to ensure that my activities with Iaido contain both aspects of Katsujinken and Setsuninto. In the study of Setsuninto, this means training that is highly technical and concerned with survival in a combat situation. In this case it is with reference to the main points for examination and judging taikai particularly those concerned with technical skill that are important:

• Correct height, position and angle of sword
• Correct cutting and drawing 
• Correct ashisabaki and taisabaki
• Ma and maai
• Compliance with the main points from the ZNKR Iaido Manual

In the study of Katsujinken, this means that when one is doing kata one must be aware of the life of ones enemy, not just so that one can cut down the enemy but that one might prevent the fight and achieve “saya no uchi no kachi”. In this case it is with reference to the main points for examination and judging taikai:

• Metsuke
• Zanshin
• Ochitsuke (calmness)
• Depth of training
• Kigurai, hin’i and fukaku

If someone can master these points above then one should be able to control the encounter: to injure instead of kill; to subdue instead of injure; to inspire peace rather than war.

When one trains in these Katsujinken points it then becomes easier to realise that the purpose of one’s training is not just about self-centred improvement but generally using Iaido to bring good things into the life of others.

When instructing others in Iaido I try to balance the emphasis between technical points and those which reflect the mental state. Through concentration on jo-ha-kyu and kan-kyu-kyo-jaku one is able to quickly combine and switch between aspects of setsuninto (killing the enemy) and katsujinken (saving the enemy). Of important consideration I believe that the –ken of katsujinken refers to the double edged tsurugi with one edge facing the enemy and one facing the self. In my mind this reverse edge is for the dual purpose of cutting off unnecessary and unwanted parts of the ego as well as reminding that any attack on a person is also an attack and a degradation of the self.

Finally, I try to emphasise to the people that I teach, the words of our shisho, that the luxury of being able to train in budo is due to the cooperation and goodwill of others and we should be thankful and considerate to those that provide that opportunity through their sacrifice.

Parts of the sword

Please note that I have updated this post with an addition of the term "tsubamoto" meaning the area of the sword closest to the tsuba. Initially I didn't include this as it was my impression that the tsubamoto wouldn't have included the entire lower third of the sword but after discussing this with a budo friend I decided to include it.

Just recently it has been raised to my notice that a particular aspect of iaido has been mentioned at seminars but there isn't anything I can find on the interwebs about it. It concerns the three main areas of the blade of the katana.

Some years ago in Eindhoven, Kishimoto Sensei taught us that the blade area can be divided up into three main zones.

The closest zone to the tsuba is, what most people would expect it to be, the area for defending oneself (it is the zone which is used in the initial contact of the seiteigata Ukenagashi). This zone is called the "Bō" (no relation to the Japanese staff) and is referred to also as the "tsubamoto" (origin or zone of the tsuba).

The middle zone is called "Sei" meaning control i.e. this is the region that controls the enemy's sword during a deflection or similar movement. It is also referred to as the "nakahodo" (meaning approximate centre).

The zone closest to the end is called "Satsu" (or "Setsu") meaning the killing region. This region is also known as the monouchi.

That said, I sense a sudden increase in site traffic from people about to answer their iaido gakka...

Blogpost Special – Judging Points for Iaido and Jodo

Just between me finishing off the 3-part (or possibly more) article I am writing at the moment on the Suio Ryu Taikai I thought I would quickly bash off a short posting on judging points for iaido and jodo. Considering the emphasis that Ishido Sensei has given to these at recent event I think they can be considered to be useful points to concentrate on whether one is training for a taikai, towards a grading or simply deepening their training experience. The points are taken from a section in each art’s judging rules and comes as a list of items to consider in no particular order of emphasis. I have translated specialist words where necessary if they happen to be terms which the exponent might want to learn (I have omitted well-known words such as chiburi where if the reader doesn’t know them then they need to learn fast).

It is slightly interesting that both iaido and jodo essentially require the same criteria albeit there are one or two specific to the art.

I hope you find these useful…

Jodo Shiai – Refereeing Rules (Originally Published 1^st July 1997)

1. Fullness of spirit.
2. Correct posture.
3. Correct balance of strength and softness of strikes and thrusts.
4. Ma (timing) and ma’ai (distance).
5. Metsuke.
6. Zanshin.
7. Reiho.
8. Ki-jo-tai no ittsu (Spirit-jo-body as one).
9. Whether it is logical as budo.
10. Accordance with the ZNKR Technical Manual – special points for consideration for examinations and taikai.

Iaido Shiai – Refereeing Rules (Originally Published 1^st October 1996)

1. Depth of practice.
2. Reigi (correct behaviour and etiquette).
3. Technique:
   1. Correct nukitsuke and kiritsuke (drawing and cutting).
   2. Correct sayabanare and hasuji (release of sword and blade angle).
   3. Correct chiburi with angle.
   4. Correct noto.
4. Kokorogamae (preparedness, readiness):
   1. Calmness.
   2. Metsuke.
   3. Kihaku (spirit, vigour), zanshin, ma (timing) and ma’ai (distance).
5. Ki-ken-tai no ittsu (Spirit-sword-body as one).
6. Whether it is logical as budo.
7. Accordance with the ZNKR Technical Manual – special points for consideration for examinations and taikai.