Just as one likes to afix theme music to events, I have decided I would pick something nice, 80's and with distant stares...
http://www.youtube.com/watch?v=m9WdUgn0XkU
Monday, 3 October 2011
Iaido Training Session 75 and 76 - the final tying of the straps...
Well, I had my last training session at the dojo last Wednesday. I managed to spend a bit of time doing my warm-ups and stretches and found the following training a hell of a lot easier. Sensei had me slow down the approach in Kesagiri and it certainly showed a better contrast of Kankyukyojaku that way.
I spent the rest of the evening going over my 8 form sets (4 koryu + 4 successive seitei) and got some work done on Project Delta. I realise (and I'm slightly glad of it) that this is going to be a more long-term thing.
We had a mini-taikai practice at the end and gave each other some feedback. I need to keep my ochiburi in a bit more at the end as it has the propensity to go wide.
On Saturday I went to Hilary's and spent about another 90 minutes doing my 8 form sets. I am quite liking Tozume now. The key is definately getting the hand and hasuji angles right as one prepares to draw.
So, only the pre-event seminar, the European Championships and some drinking stand between me and the grading some 5 days and 23 hours away. I think I have done all I can for the time being to prepare and there will of course be lots of training time in Andorra (not too much sitting around listening I hope). I have had to think about and answer some questions in the last few months, the biggest one being, what if I don't pass?
I am quite stoic about this actually. I realise that three factors determine if I pass:
1. The opinion of the examiners: the level they determine is appropriate, what they perceive on the day, how they are feeling, what they think about me.
2. The decision from on high about whether anyone will be allowed to pass.
3. My long term preparation and the performance I display as well as my short term condition (i.e. how hungover I am).
I really have control over only one of those with a small influence on the others. The main thing I can do is train, it serves the means and it serves the end. I will do the best I can do and I that's all I can do. I don't know if I have trained enough yet but I have trained. It just remains to be seen if it is enough.
I would like to express my sincere thanks to all those who have wished me luck on this examination and supported me in all kinds of other ways. It reminds me that while Iaido is mainly a solo martial art, it isn't one that you do alone.
I spent the rest of the evening going over my 8 form sets (4 koryu + 4 successive seitei) and got some work done on Project Delta. I realise (and I'm slightly glad of it) that this is going to be a more long-term thing.
We had a mini-taikai practice at the end and gave each other some feedback. I need to keep my ochiburi in a bit more at the end as it has the propensity to go wide.
On Saturday I went to Hilary's and spent about another 90 minutes doing my 8 form sets. I am quite liking Tozume now. The key is definately getting the hand and hasuji angles right as one prepares to draw.
So, only the pre-event seminar, the European Championships and some drinking stand between me and the grading some 5 days and 23 hours away. I think I have done all I can for the time being to prepare and there will of course be lots of training time in Andorra (not too much sitting around listening I hope). I have had to think about and answer some questions in the last few months, the biggest one being, what if I don't pass?
I am quite stoic about this actually. I realise that three factors determine if I pass:
1. The opinion of the examiners: the level they determine is appropriate, what they perceive on the day, how they are feeling, what they think about me.
2. The decision from on high about whether anyone will be allowed to pass.
3. My long term preparation and the performance I display as well as my short term condition (i.e. how hungover I am).
I really have control over only one of those with a small influence on the others. The main thing I can do is train, it serves the means and it serves the end. I will do the best I can do and I that's all I can do. I don't know if I have trained enough yet but I have trained. It just remains to be seen if it is enough.
I would like to express my sincere thanks to all those who have wished me luck on this examination and supported me in all kinds of other ways. It reminds me that while Iaido is mainly a solo martial art, it isn't one that you do alone.
Wednesday, 28 September 2011
Iaido Training Session 72, 73, 74 and 74a
I wonder again, am I unable to get much writing on this blog done because I am so busy with work and martial arts foolery or am I using that as an excuse? I think it would be interesting to have a read through my past posts and see if a trend underlies it as I am pretty sure that my preparations have gone through a few phases and I am now in the quiet and hardworking one.
I haven't had anywhere near the same frequency of "revelations" in the last few sessions; I have been trying to build up kata mileage and consolidate my technique. As Peter commented to me, my focus is now on how the training feels rather than what conscious concepts I can pull out of it. This I think is important.
Session 72 was the evening before the European Jodo Championships and I remember us working into the iai time with some jodo preparation so not much done there. The championships were an effort in themselves in mental juggling and emotional control, I'm sure they were good for me somewhere although I wouldn't be surprised if I have reduced my life expectancy by a few days (insert smiley tongue-out emoticon here).
The Wednesday after the EJC (session 73) we were visited by members of the Austrian Jodo Squad who came to do a bit of Jodo and then join the Iaido class. They are very nice people and it is easy to see the hard efforts they have put into their training. We ran through seitei in a variety of ways as there were something like 15 people in a 9-people space. I didn't pay particular attention to my training that evening but I was happy to be getting some in. My feet are still particularly stiff and I am having to spend a good 20 minutes at the beginning of a session in warming them up and stretching the toes.
I joined Hilary's class on the Saturday (session 74) and asked to be left to do just iai. After a long stretching session I started working through the katas doing Seitei first and then combinations of my 4 koryu plus 3 seitei, making 4 combination sets. Tried to focus on centreline management as well which was good in that dojo which has lines all over the place. Daniel Silk had kindly arranged a squash court for the two of us to do another hour after the normal two hour session which I found very useful. I was able to calm myself a bit and work on composure within the form. I do find any kind of time restraints on an embu practice to be quite destructive at the moment. I guess it is personal taste (and maybe a liking for pouting and scowling through my eyebrows) but I feel the essence of iaido is in the zanshin and any feeling of a clock ticking completely wipes away that ethereal mist and it becomes a mechanical tempo exercise instead of an emotional expression. This is something I think I would like to discuss further with other high grades and get their feelings on it.
I also noticed that towards the end of a three hour session, my legs and feet were finally starting to warm up and do their work and the whole performance became easier and sharper. I have to keep this in mind for my grading and ensure I am training right up to the examination and keeping warm while others are on. Whoever is around me, don't let me sit and watch, get me doing exercises at the back!
On Sunday after Jodo practice I did another two hour iaido session, I can't say much more than that.
So where am I with stuff...
Well, back to work. It's my last official iaido training session this evening before the European Iaido Championships and the grading. Shiiiiiiiiiiiiiiittttt!
I haven't had anywhere near the same frequency of "revelations" in the last few sessions; I have been trying to build up kata mileage and consolidate my technique. As Peter commented to me, my focus is now on how the training feels rather than what conscious concepts I can pull out of it. This I think is important.
Session 72 was the evening before the European Jodo Championships and I remember us working into the iai time with some jodo preparation so not much done there. The championships were an effort in themselves in mental juggling and emotional control, I'm sure they were good for me somewhere although I wouldn't be surprised if I have reduced my life expectancy by a few days (insert smiley tongue-out emoticon here).
The Wednesday after the EJC (session 73) we were visited by members of the Austrian Jodo Squad who came to do a bit of Jodo and then join the Iaido class. They are very nice people and it is easy to see the hard efforts they have put into their training. We ran through seitei in a variety of ways as there were something like 15 people in a 9-people space. I didn't pay particular attention to my training that evening but I was happy to be getting some in. My feet are still particularly stiff and I am having to spend a good 20 minutes at the beginning of a session in warming them up and stretching the toes.
I joined Hilary's class on the Saturday (session 74) and asked to be left to do just iai. After a long stretching session I started working through the katas doing Seitei first and then combinations of my 4 koryu plus 3 seitei, making 4 combination sets. Tried to focus on centreline management as well which was good in that dojo which has lines all over the place. Daniel Silk had kindly arranged a squash court for the two of us to do another hour after the normal two hour session which I found very useful. I was able to calm myself a bit and work on composure within the form. I do find any kind of time restraints on an embu practice to be quite destructive at the moment. I guess it is personal taste (and maybe a liking for pouting and scowling through my eyebrows) but I feel the essence of iaido is in the zanshin and any feeling of a clock ticking completely wipes away that ethereal mist and it becomes a mechanical tempo exercise instead of an emotional expression. This is something I think I would like to discuss further with other high grades and get their feelings on it.
I also noticed that towards the end of a three hour session, my legs and feet were finally starting to warm up and do their work and the whole performance became easier and sharper. I have to keep this in mind for my grading and ensure I am training right up to the examination and keeping warm while others are on. Whoever is around me, don't let me sit and watch, get me doing exercises at the back!
On Sunday after Jodo practice I did another two hour iaido session, I can't say much more than that.
So where am I with stuff...
- Shohatto - not too bad although I have to be careful not to stall after nukitsuke. My toes are making it a little difficult to move into the kirioroshi but I hope through stretching and ibroprofen that that can be worked out.
- Oroshi - once I can sit in tate hiza not too bad. I have to learn to lean in slightly into the nukitsuke and not let the sayabiki pull me back.
- Tozume - once the legs are working I have managed to arrange the hasuji to work the nukitsuke properly. This is such a critical failure point if done incorrectly. Maybe I should work on this and Oroshi tonight...
- Ukenagashi - Again not bad to need to push the seme a bit more before leaping away to the right.
- Mae - good, if my feet and toes are working.
- Ushiro - see above, I want to slow the draw down a bit and engage my hips forwards into the nukitsuke a bit more as I was able to do a few months ago.
- Ukenagashi - not too ragged. Starting slowly and building the tempo up makes a nice kata.
- Tsukaate - actually going faster than maybe it should. Not sure if I should slow it down, it might seem instinctive to do so but I believe this form is about certain and direct delivery, not posing.
- Kesagiri - again, nice done slowly.
- Morotezuki - I need to work on this, the feeling this kata used to have isn't so obvious to me now.
- Sanpogiri - I also need to work on this. I understand the important points in each component movement but haven't yet pieced them all together.
- Ganmenate - no complaints from me.
- Soetezuki - I want to practice this a bit more and get the flow back.
- Shihogiri - not too worried about this.
- Sogiri - need to get the buttocks working here!
- Nukiuchi - happy that I haven't yet cut off my left arm.
Well, back to work. It's my last official iaido training session this evening before the European Iaido Championships and the grading. Shiiiiiiiiiiiiiiittttt!
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