Disclaimer and Stuff

Firstly I would like to say that all of the material contained within this blog is of my own opinion and any inaccuracies in technical content or other's personal quotations are completely my own.

Secondly I would like to thank everyone in advance where I have used photos of you or photos you have taken. I have quite a library of digital photos and virtually no record of who took them so I hope you will take this general thanks as adequate gratitude. If there are any photos of you or taken by you that you would like removed please let me know.

Thirdly, some articles have been published on my dojo website if you would like to read them in an easier format
https://www.ryoshinkan.org/more-detail/shugyo-blog-highlights


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7th dans achieved. Come and visit Ryoshinkan Iaido and Jodo Dojo Website at www.ryoshinkan.org

Friday, 19 August 2011

Life on board the Marie Celeste


Those of you that follow the blog frequently will realise that I have recently been kidnapped by aliens and am currently being taken to their planet for experiments. I am trying to negotiate my release but the fact that they communicate only through the medium of tap dance and farting is making the whole process quite tricky. This is the best excuse I can come up with to explain my lack of recent posts (other than my dog ate my laptop which none of you would believe in light of the alien abduction story).

Anyway to the truth. I have been busy. Really busy. Even now I am just finishing off some work before I go out for a drink with one of my best friends who I haven't seen for over half a year and only lives about 3 miles away. My last post was an attempt to write about the Swedish Summer Seminar which I got half way through before "the summer happened". Since that time my work has exploded somewhat (which being self-employed is a really good thing) and budo training has similarly taken an upward curve. I guess it's better to be training for my 6th dan rather than writing about it but the guilt has still lain like an iron cross strapped across my shoulders....well perhaps not that bad, more like a hangnail.

I don't want to go into too much detail about the last few weeks so I will summarise it below instead and try to pull out the developments at the end (if I get that far)...

Swedish Summer Seminar

Brilliant as mentioned in the previous post. Lots of clarification on seitei. I spent the koryu doing okuden with Momiyama Sensei which was fabulous and Ishido Sensei spent quite a lot of time with us. I loved the three versions of Ryozume which I will have to consign to keyboard soon before I forget. I also won the embu taikai which was a bit of a joke as I don't even remember what I did. It reminded me that I hate embu taikai but read more in the BKA summer seminar.

At the Dojo - Iaido Training Sessions 63 and 64

Yup, went to the dojo, did some training, helped some students, got ready for the Nationals...

BKA Iaido Nationals

Won the 5th dan individuals meeting Harry in the finals which was very nice. I really tried to calm everything down and I think I was quite successful. I went with my 3-man team into the knockouts and then got the proverbial but it was also nice to be with two other people who were giving their everything to win even when we were against really strong teams.

At the Dojo - Iaido Training Sessions 65 and 66

Well despite the fact that the entire world was exploding (i.e. the BKA summer seminar was coming up which I was in the middle of the organisation of) I managed to make it to the dojo and get some training in.

BKA Summer Iaido Seminar

Didn't get in as much training as I would have liked to as my hands were full translating (not using sign I should add), organising, lunching, drinking and generally running around like a headless chicken. I think for me this was academically very rewarding as in the space of one month I had listened, translated and regurgitated everything Ishido Sensei had to say about seiteigata. We had an embu taikai and I was determined to do something different. I focussed on calmness, quietness and a change of timing. I won the knockout and the final and it actually felt good. I wasn't nervous anymore. I took haste and effort out of the kata and it all snapped together quite nicely without my interference, thank you very much. I think this experience itself started to show me the difference between renshu and keiko. If I had spent the embu concentrating on making sure that my foot timing was correct then I think it would have fallen apart to busyness but I just let it all go. The previous renshu had made sure that the keiko was at least technically acceptable and I could focus on other things such as visualisation, johakyu, metsuke etc.

At the Dojo - Iaido Training Sessions 67

Saw the sensei's off and then zipped off to the dojo. Did the usual practice and I think, if my memory serves me right, I tried to get the lower grades to do some more koryu.

Polish Summer Seminar

This was nicely preceeded with some walking in the Karpacz mountains with my Polish friends. I had somehow ended up being the sole deliverer of the seminar which was at once very liberating but also incredibly tiring. Everyone was wonderful, really enthusiastic and patient as I wanted to ensure that as much new information was transmitted as possible. I spent quite a bit of time pulling bones out of the Japanese version of the ZNKR Iaido manual, which as I explained at the seminar, had a lot of information in it that had not been translated as it would have significantly delayed the delivery of the English version. Furthermore a lot of the info might have been taken a bit too literally and set up as dojo rules (especially those points concerning dojo "architecture"). The seitei part of the seminar I made sure focussed on grading points and special considerations on how to deliver the kata. I tried to make sure that I put in as many points as I could remember from Ishido Sensei. It was nice to see people coming from Slovakia and Czech who also gave me immense mental support (they are very experienced and enthusiastic iaidoka). We had a small taikai and a grading which went very well and I was inspired by a father and son who had been training for only about 6 weeks who took part and tried some koryu. The son won fighting spirit, he well deserved it. We did some MSR on the last day and I tried to draw together the closeness of Jikiden by showing how different branches of Shinden looked (some Shinden is closer to Tosa Jikiden than to other branches of Shinden). The notion I was trying to convey was the fact that the styles are all trying to embody the same thing, the harmony of sword, body and mind.

I would right now like to thank everyone who came to the seminar (especially those that came from other countries), was involved in the organisation and gave their utmost to train.

At the Dojo - Iaido Training Sessions 68

After initial seitei run through we did some embu and review sessions on katas 1, 5 and 9 which was very useful.

And so...

Where am I now? Still on board the ship but a few things have happened over the last 2-3 months:

  1. My right arm seems to have completely recovered. I think this is due to a change in my ochiburi and a reduction of shock doing nukitsuke through relaxation and gradual tension.
  2. The resultant ochiburi and nukitsuke are much smoother and sharper.
  3. My left toes are now painful instead, I think through overstretching them when my toes aren't all that bendy. Going to have to ensure they are properly warmed and stretched (with hands) in future.
  4. I feel a lot calmer in my iai now and giving myself thinking space in the kata.
  5. I am losing weight, albeit slowly, my target is to reach 80kg by the time of the EIC.
I now want to focus the next few weeks on only practice and embedding good stuff. I don't want to do much analysis or pulling apart. I am going to organise a few separate training sessions and hope that the last year of research and study can be implemented and made solid in my performance.

Ah well, I'm just looking at my alien hosts, they are standing waiting with what looks like fire hose. I wonder what they want....

Tuesday, 12 July 2011

Gothenburg Iaido Seminar

Right, I was putting off writing this as I was so busy and realised there was looooot of information to capture. It was an absolutely excellent seminar as these smaller ones tend to be. I think a lot of people have sensed that Ishido Sensei tends to toe the line when he is with a big delegation but offers fantastic personal experiences when there is only one or two other teachers with him. I will cut through all the timetable stuff: we spent day one doing seitei and day two doing koryu with a taikai and a grading.

I grabbed sensei to the side during one of the breaks to ask him about the 'feeling' of the kissaki when sayabanare takes place during nukitsuke. On a previous post I had noted that the three options that I had played with were:
  1. To begin tensing the tsuka so that the kissaki leapt out of the koiguchi.
  2. To keep the right hand relaxed and gradually accelerate the kissaki on sayabanare
  3. To keep the mune slightly pressed against the base of the saya and bring the sword level before the kissaki advances.
The answer I got was so simple I should have anticipated being surprised (which is logically the most stupid thing to write): the feeling should be to make the kissaki move forwards. Making it travel out sideways to conclude with a sideways cutting action is not correct. The sword must make a forward cutting action.

I am kicking myself a bit because I have translated numerous times his explanation on how and why sayabiki works which captures this forward movement quite elegantly. Still it now leaves me to work on creating this forward movement in the most relaxed fashion.

Now to go through the kata one by one:

  1. Mae - nothing much to say here. The kata is so intricately described that just doing it right is a rewarding thing.
  2. Ushiro - the option of rotating while the feet stand is applicable for nidan's and above. Sensei explained and demonstrated how the kata could be done with someone a) completely obstructing the clockwise direction and b) partially blocking the anti-clockwise direction. The effect of course was an action made similarly to Atarito where the majority of the draw happens in a rearward direction. It was also emphasised how important it was to maintain one's new centreline once turned and moving into furikaburi. Using Lukasz as a foot model he also showed how lifting the heel was important in moving forwards in furikaburi adequately.
  3. Ukenagashi - here is where the fun started. I should add that I am unsure how much of this following explanation is Ishido Sensei (and his dojo's) own interpretation of Ukenagashi and how much comes from on high. Anyway, the process of movement was now a) to prepare by placing the hands and looking up to the left, b) to raise the hips and position the feet simultaneously with elevating the sword up to the chest with the minimum of sayabiki, c) to stand and draw the last 75% of the sword in one action. This has an interesting effect of making the vital part of the form happen naturally very quickly. It is also very easy to make it busy and I spent quite a lot of time constructing the kata in slow bite-sized portions (it tasted of chicken).
  4. Tsukaate - again not much to say

Gaaahhh....just been kidnapped by Munchkins - call the wizard!

Monday, 4 July 2011

Iaido Training Session 62 - Isle of Widget

I am calling this a standard Iaido Training Session as within 1 1/4 hrs of being left alone in Vic Cook's home dojo I managed to do more training than I normally do in 2 hrs in our dojo.

Harry and me were visiting Vic and Terri for a few days to primarily help Vic with his 6th dan Jodo prep. On the last evening there we asked Vic if we could use the dojo to do some free practice and for him to come and have a look after an hour and give some feedback.



His dojo is amazing. One can only get about 4-6 people doing Iaido at the same time and maybe 2 pairs doing Jodo but the floor is great, the dojo looks fantastic and there is a delightful smell of fresh wood. I only remember that smell being actually inside a building while in temples in Japan.

Anyway, Harry and I went through Seitei then I went into Omote, trying to work on technical correctness and body movement throughout the forms. Towards the end I did a hayanuki run-through to get my beats up a bit.

It was while on the Island that I had what I can only call a moment of epiphany while watching a falconry display. One of the birds demonstrated was the peregrine falcon which, to my surprise, turns out to the fastest animal on the planet (and not the swift). It was explained that they carry no fat, they are pure muscle unlike other birds of prey like the bald eagle.






Above: The peregrine falcon - all muscle; Below: The bald eagle - a lard arse of a bird.

Anyway, seeing the falcon in action just made me realise that part of my challenge to myself for 6th dan must be about losing more weight and getting fitter. I'm not planning to be able to fly at 250mph but I do notice that there aren't many fat 8th dan hanshi's in iaido. And so begins my 1,940 calories per day diet to get me down to 80kg...

Anyway, back to the dojo. I asked Vic to watch an embu of me doing five koryu and three seitei including my target forms. At the end he gave me some very useful feedback saying:

  1. My iaido was sometimes so fast that it wasn't telling the story and I had to make greater contrast in my timing.
  2. That my nukitsuke also tended to stall a bit at sayabanare.
  3. That my outer technical side was very good but my sense of timing within had to be more evident.

Anyway it was a really good opportunity to do some personal training (one small box ticked) and get some feedback so well worth it.

Now onto the Gothenburg seminar writing marathon...